Yes, this week's movie feature is House of Dracula, the sequel to House of Frankenstein! All three of the monsters return for this go-round, as they would in the next movie in the series, "Abbott and Costello Meet Frankenstein."
The main thrust of this movie's plot is that not only Larry Talbot, but Count Dracula, too, are seeking cures for their conditions! In this installment, Dr. Edelmann is the person they seek treatment from.
It's Dracula's seeking to be cured of vampirism that makes this movie start to go downhill for me... Dracula tired of being a vampire? Unthinkable! Yeah, I can buy Drac somehow recovering from being destroyed by sunlight in "House of Frankenstein," (you know, you kind of have to), but seeking a cure? Being a vampire keeps him going!
Anyway, Drac (who's assumed the identity of "Baron Lotos") apparently changes his mind, after meeting Dr. Edelmann's assistant again, and he gives the doc a transfusion of his own vampire blood, which turns Edelmann into a sort of Jekyll and Hyde creature!
Edelmann destroys Dracula, but realizes he's becoming a monster himself.
Fun behind-the-scenes photos
Yeah, that's right, Dracula's once again destroyed before the Wolfman or Frankenstein monster show up... I guess it wasn't until Abbott and Costello joined the fun that we'd see all three monsters together!
Next, Larry Talbot arrives at Edelmann's castle to seek a cure (what are the odds?), and at one point, he tries to commit suicide, after which the Monster is found.
The Monster itself doesn't do anything until close to the end, when Larry's finally cured (until the next movie) and falls in love with Edelmann's assistant (the same woman who apparently caused Drac to decide being a vampire isn't so bad after all), and killing Edelmann, who's now completely monstrous.
The Monster is once again burned to death as the castle is destroyed.
Oh, the hunchback in the movie? It's Nina, a sympathetic character who's not a monster at all.
Overall, as I said last week, it's the weakest of the "trilogy" of movies featuring all three of Universal's top monsters (the Mummy excluded). The final film in Universal's series, "Abbott and Costello Meet Frankenstein," pretty much ignores this movie entirely... it starts out with Larry still being a werewolf, and Dracula's actually using the Monster, whom he hadn't met before!
One almost wonders... what if Universal had done one more movie after "House of Dracula," which showed why Larry was reverting back to being a werewolf, and set up how Dracula gained control of the Monster? What would they have even called it? "House of Wolfman" just sounds silly... I'd put my vote in for "Castle of Frankenstein", "Castle of Dracula," or better yet, "Curse of Dracula" (since "Curse of the Werewolf" was eventually used, wasn't it?).
OK, as you no doubt expect, next week's feature will be... "Abbott and Costello Meet Frankenstein," which many people feel is the best of the Universal monster team-ups!
We're on to the 1961 "Green" Give-A-Show Projector sets, which feature all Hanna-Barbera characters! I have no idea who did the art for these slides, but most of them (at least) feature some very off-model drawings of the characters. I don't know if the kids noticed or not!
First up is Huckleberry Hound!
Yogi Bear guested a lot in these earlier Huck slides!
Next up, Yogi solo-stars in his own story!
Kind of interesting that this one has Yogi losing out to Ranger Smith, isn't it?
Next week's double feature: Quick Draw McGraw and Pixie and Dixie!
We continue our look at Quasimodo's Monster Magazine #3 with this spread of "monster posters"...
Those were pages 46 and 47! I'm not sure what to make of these... I mean, I'd hate to think that someone would've cut them out of the magazine, rendering pages 45 and 48 unreadable! Plus, even though they are called "mini" posters, they're really, really mini!
And now, the Christopher Lee article:
Now, I'll be honest, I really kind of just scanned through the article, and that was a few weeks ago or longer, and since I'm pre-posting this at work (to maintain my blogging "schedule"), I don't have the book with me, so you'll need to click the pages to read the article.
I recall it's a very nice overview of Lee's career to date... and I'm sure when the "Movie of the Week" feature starts covering the Hammer horror films (most of which I've never seen), I'll probably refer to this for some details!
Do any of you know if Lee broke his vow to do no more horror films after this point?
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